This new keris with 7 luk estimated the dapur Singo Barong. The  tangguh is Kamardikan. The pamor is slewah, that means on both sides of the blade different pamors appear. On one side it is Untu Walang and on the other side Pedaringan Kebak. According keris experts pamor Untu Walang has a magic power, which ensures that the owner is a person who is believed by the people around him and to obey him. Pamor Untu Walang is for teachers and educators, and instills fear in opponents and frightens enemies. The magical power of pamor Untu Walang is also handy for community leaders. Pamor Pedaringan Kebak is believed to have the power to make it easier for its owner to find happiness in accordance with the philosophy of its name. “Pedaringan” is a place for storing rice, commonly used by Javanese people in ancient times, while “Kebak” means “full”. So, Pedaringan Kebak can be interpreted as “a place/container of rice that is always full” to symbolize prosperity. The Pamor Pedaringan Kebak is also a message to a man that the duties and responsibilities of a householder are to ensure that his family does not lack clothing, food and shelter. Whether the Pedaringan is empty or full is the responsibility of the head of the household. In other words, a man (head of household) must be able to guarantee that his family's life will be successful. At the gandik you find a singo barong figure in kinatah gold. Singo Barong is a tiger -headed figure and dancer with peacock ornaments and is the most dominant in the art of Reog Ponorogo. The ganja is kelap lintah with floral motifs in kinatah gold.

The warangka is ladrang Surakarta style and made of teak wood. The pendok is a pendok slorok krawangan made of gold-colored brass. It is decorated with white circonia. The handle is Surakarta style. The selut is a selut krawangan made of gold-colored brass and decorated with white circonia.