This semi-old straight keris comes from the dapur Jalak Ngore. The word “Ngore” can also be derived from the word “Ngudhar” which means “to unravel”. Ngore means making an active effort to carefully and gradually eliminate the difficulties/complications of each problem. It is also focused on endurance or persistence. Jalak Ngore is a lesson in life. Live life with a happy and open heart, like the image of a singing or babbling starling. Prioritize good deeds (main behavior), always maintain devotion to God and relationships with family, society and the environment (be attentive and vigilant). When you work for a living, you should always act honestly and not harm other people. Any problem in business or at work must be assessed carefully and conscientiously. Every problem must be addressed by prioritizing feelings and thoughts over desires and emotions. “Even if things go slowly, it is important to achieve results, even if you stumble, you do/act.” Achieving goals requires sincerity, perseverance, vigilance and patience. Nobody is suddenly successful/rich, everything has to start from the bottom. The Jalak Ngore keris is believed to bring good luck to alleviate any luck problems, make it easier to achieve your goals and live a happy life. I appreciate the tangguh is Kamardikan. The pamor is Satrio Pinayungan. The magical power of the two pamor motifs is the same and gives the owner protection from envy and forbidden actions of other people. On top of that, the owner always has “wind in his sails”. Although both pamor motifs are well known, the first version is intended for employees and the second for entrepreneurs. The first opinion is held by crisis experts from the area east of Surakarta and the second opinion by crisis experts from the west of Yogyakarta. Many believe that they are intended for everyone. This dapur has a simple gandik. The ganja is mbatok mengkureb.

The warangka is in the gayaman Surakarta style made of galih asem wood. The pendok is a pendok slorok made of gold-colored brass with a silver-colored inlay. The handle is Surakarta style made of galih asem wood. The selut is model krawangan made of silver-colored brass and decorated with colorful zirconia.