This new keris with 11 luk estimated the dapur Naga Siluman. The Naga Siluman keris is believed to have the power to disappear, or more specifically, to distract or obscure the enemy's vision so that they cannot see or recognize the owner of this Keris. It is also believed that the magical power of the keris Naga Siluman can protect the owner from all sorts of problems and always enables him to escape from any problems (cases) he faces. Like other dapur Naga krissess, the Naga Siluman keris also has a very strong personality, so the owner of this keris has immense authority and charisma. The magical power of the keris Naga Siluman can also enhance the owner's supernatural powers and provide physical and non-physical protection. The tangguh is Kamardikan. The pamor is Untu Walang. According keris experts pamor Untu Walang has a magic power, which ensures that the owner is a person who is believed by the people around him and to obey him. Pamor Untu Walang is for teachers and educators, and instills fear in opponents and frightens enemies. The magical power of pamor Untu Walang is also handy for community leaders. At the gandik you find the head of the naga siluman. The ganja is kelap lintah with kinatah gold.

The warangka is ladrang Surakarta style made of light brown wood. The pendok is a pendok slorok krawangan made of gold-colored brass. The inlay is decorated with floral motifs and white circonia. The handle is Surakarta style made of light brown wood. The selut is a selut krawangan made of gold-colored brass and it is decorated with white circonia.

This new keris Bali with 5 luk estimated the  dapur Singo Ambara. The Tangguh is Kemardikan. The Pamor is Pedaringan Kebak. Pamor Pedaringan Kebak is believed to have the power to make it easier for its owner to find happiness in accordance with the philosophy of its name. “Pedaringan” is a place for storing rice, commonly used by Javanese people in ancient times, while “Kebak” means “full”. So, Pedaringan Kebak can be interpreted as “a place/container of rice that is always full” to symbolize prosperity. The Pamor Pedaringan Kebak is also a message to a man that the duties and responsibilities of a householder are to ensure that his family does not lack clothing, food and shelter. Whether the Pedaringan is empty or full is the responsibility of the head of the household. In other words, a man (head of household) must be able to guarantee that his family's life will be successful. At the gandik you find a singo Ambara in kinatah gold. The ganja is kelap lintah with floral motifs in kinatah gold.

The warangka is godohan style made of galih asem wood. This style is also called Batun Poh. The handle is cekah redut style. The mendak is gold-colored.

This new keris with 7 luk estimated the dapur Singo Barong. The  tangguh is Kamardikan. The pamor is slewah, that means on both sides of the blade different pamors appear. On one side it is Untu Walang and on the other side Pedaringan Kebak. According keris experts pamor Untu Walang has a magic power, which ensures that the owner is a person who is believed by the people around him and to obey him. Pamor Untu Walang is for teachers and educators, and instills fear in opponents and frightens enemies. The magical power of pamor Untu Walang is also handy for community leaders. Pamor Pedaringan Kebak is believed to have the power to make it easier for its owner to find happiness in accordance with the philosophy of its name. “Pedaringan” is a place for storing rice, commonly used by Javanese people in ancient times, while “Kebak” means “full”. So, Pedaringan Kebak can be interpreted as “a place/container of rice that is always full” to symbolize prosperity. The Pamor Pedaringan Kebak is also a message to a man that the duties and responsibilities of a householder are to ensure that his family does not lack clothing, food and shelter. Whether the Pedaringan is empty or full is the responsibility of the head of the household. In other words, a man (head of household) must be able to guarantee that his family's life will be successful. At the gandik you find a singo barong figure in kinatah gold. Singo Barong is a tiger -headed figure and dancer with peacock ornaments and is the most dominant in the art of Reog Ponorogo. The ganja is kelap lintah with floral motifs in kinatah gold.

The warangka is ladrang Surakarta style and made of teak wood. The pendok is a pendok slorok krawangan made of gold-colored brass. It is decorated with white circonia. The handle is Surakarta style. The selut is a selut krawangan made of gold-colored brass and decorated with white circonia.

This new keris with 13 luk estimated the dapur Nagasasra. The tangguh is Kamardikan. The pamor is Ngulit Semongko. The main magical strength of pamor Kulit Semangka is making more flexible the ambulatory with people from all kinds. Moreover magical strength contributes to the fact that one comes on a simple manner to the costs. At the gandik you find the head of a Naga and her body is on the whole length of the blade. The naga and the surrounding floral motifs are made of kinatah gold. The ganja is kelap linatah with floral motifs in kinatah gold.

The warangka is ladrang Surakarta style and made of teak wood. The pendok is a pendok slorok topengan krawangan made of gold-colored brass. It has a naga motif and is decorated with white circonia and a large orange-colored stone. The handle is Surakarta style made of teak wood. The selut is a selut krawangan made of gold-colored brass and decorated with white circonia.

This Keris has 19 luk. Therefore I refer to him as Keris Kalawijan, that means unusual. A keris with more than 15 luk which can not be assigned to a dapur is called keris kaliwajan. The tangguh is Kamardikan. The pamor is Ngulit Semongko. Pamor Kulit Semangka's main magical strength allows it to be more flexible in dealing with people of all origins. In addition, the magical power contributes to the fact that the cost can be obtained in an easy way. The kembang kacang is intact. The ganja is Mbatok Mengkureb with floral motifs. These and the flower motifs on the lower part of the blade are made of kinatah gold.

The warangka is in the gayaman Surakarta style and is made of dark brown wood. The pendok is a pendok slorok made of gold-colored brass with a silver-colored inlay. The handle is made of dark brown wood in the Surakarta style. The mendak is a mendak bejen made of gold-colored brass.

This new keris with 5 luk estimated the dapur Panji Caluring. The tangguh is Kamardikan. The pamor is Pedaringan Kebak. Pamor Pedaringan Kebak is believed to have the power to make it easier for its owner to find happiness in accordance with the philosophy of its name. “Pedaringan” is a place for storing rice, commonly used by Javanese people in ancient times, while “Kebak” means “full”. So, Pedaringan Kebak can be interpreted as “a place/container of rice that is always full” to symbolize prosperity. The Pamor Pedaringan Kebak is also a message to a man that the duties and responsibilities of a householder are to ensure that his family does not lack clothing, food and shelter. Whether the Pedaringan is empty or full is the responsibility of the head of the household. In other words, a man (head of household) must be able to guarantee that his family's life will be successful. The kembang kacang is pogog tpe and intact. The ganja is kelap lintah with floral motifs in kinatah gold.

The warangka is ladrang Surakarta style made of galih asem wood. The pendok is a pendok slorok krawangan made of gold-colored brass. The inlay has floral motifs and is decorated with white circonia. The selut is a selut krawangan made of gold-colored brass and decorated with white circonia.

This new keris with 13 luk estimated the dapur Lar Monga. This dapur is also called Naga Manglar. Lar means "wing/wing" in Javanese. The hope a Master wishes to convey with the word Lar is that a leader must be able to spread his wings or expand his business widely. A leader is expected to be able to evolve their business, advance their insights, and find innovations and new breakthroughs to advance their organization. Naga is a large serpent known as the Taksaka dragon, a symbol of protection or protection. Its peculiarity led to its presence in every sacred building (temple) up to the palaces in Java. As in the upper part of the Apprentice Gate of Ngayogyakarta Hadiningrat Palace, there is an ornament of two dragons with their tails pointing upwards and intertwined. The magical power is the soul to awaken leadership, authority and positional glory. The  tangguh is Kamardikan. The pamor is Untu Walang. According keris experts pamor Untu Walang has a magic power, which ensures that the owner is a person who is believed by the people around him and to obey him. Pamor Untu Walang is for teachers and educators, and instills fear in opponents and frightens enemies. The magical power of pamor Untu Walang is also handy for community leaders. At the gandik you find the lar monga figure in kinatah gold. The surrounding floral motifs are also in kinatah gold. The ganja is kelap lintah with floral motifs in kinatah gold.

The warangka is ladrang Surakarta style made of medium brown wood. The pendok is a pendok krawangan made of gold-colored brass. The inlay is decorated with floral motifs and white and red circonia. The handle is Surakarta style. The selut is a selut krawangan with red and white circonia.

Short description:

Dapur: Jatayu 5 Luk

Tangguh: -

Pamor: Keleng

Warangka: Gayaman Yogyakarta, timoho wood

Pendok: Slorok

Handle: Yogyakarta, wood

Special feature: Kinatah gold